Figure Concepts
8 Week Class | This course is completed
This course is designed specifically for experienced or upper level students who wish to focus on ideation and conceptual development within their figurative work. Historical and contemporary themes on the use of the figure will be presented. Students will reflect on why they use the figure, what the figure means to them and how they are most interested in using it as a means of expression and communication. The course includes two 4-week model pose set-ups. Choice of how to approach the figurative set-ups and the scope of work created will be self-directed to encourage personalized approaches and idea development. Part of the class experience will be sharing inspirations, ideas, imagery and ways of approach that will foster a collaborative spirit and collective learning. Although this course is conceptually focused, attention will be given to strategic process decisions (colour design, media handling and formalism/design) within students’ work and how they can fulfill the desired outcome. Options for approaching a multi-figure situation, both conceptually and practically, and the role & relationships between figures will be addressed. Students working in all media are welcome.
Base Tuition: $355 + Model Fee: $85 = $440 Total
PLEASE NOTE: Due to COVID 19, special policies and regulations will apply. Students must be in agreement with these health and safety regulations and TSA's policies in order to enrol. For Spring 2022, all IN-PERSON students, faculty and staff are required to be fully vaccinated against COVID-19 in accordance with all applicable laws and regulations.
What You Will Learn:
- Develop ideation and conceptual elements of student's figurative exploration
- Gain insight into historical and contemporary themes
- Use of the figure as a means of communication and expression in one's own work
- Strategic choices in process, media handling and formalism & design within students’ work
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Gillian Iles
Gillian's practice consists of painting, sculpture and video/projection. She has exhibited in New York, San Francisco, Brooklyn, Chicago, Miami, Montreal and Toronto in public institutions, university galleries, artist-run centres and commercial galleries. Her work has been highlighted in Canadian Art, Mix Magazine, Toronto Life Magazine, as well as the National Post and The Globe and Mail. She is featured in the book Carte Blanche Volume 2: Painting. Gillian was a founding member of two artist-run galleries in Toronto - Propeller and Loop, and is currently a member of the Red Head Gallery in Toronto.
Her environmental scale installations include combinations of paintings, sculptures, constructions video and projection, creating installations incorporating both real and illusionary space, transforming exhibition spaces into a composite of alternate realities.
The composite imagery presents an array of contradictions as a sensory collage of fleeting instants that shape greater social identity & individual perception.
Gillian teaches at the Ontario College of Art and Design, Sheridan College and the Toronto School of Art in Canada.