26261 Bookbinding: Coptic Stitch
Class | Available
Registration Deadline: 5/23
Coptic stitch is a great book binding technique for making a journal, sketchbook, or any other book where you want the pages open flat. It creates an open, but functional and decorative back binding for a book. In this workshop we will start by making decorative front and back covers. Then we’ll make book sections that, using the coptic stitch, will be joined together along with the covers to make your unique book.
Bring lunch or purchase locally.
AGE: Adults
- MATERIALS FEE: $12 paid to instructor for: paper (for book body), pre-cut bookboard and decorative papers/bookcloth for cover, glue, waxed linen, and written instructions
- STUDENT SUPPLIES: xacto-knife, cutting mat, pencil and eraser; small, cheap bristle brush for gluing 1/2”-1,” 12" metal ruler, large needle, scissors. Optional: bone folder, awl
Melita Gill
I have a home pottery and fiber arts studio in Henrietta and I am in the process of setting up a working studio in West Sparta. The beginning of my experience in clay was through the Creative Workshop at the Memorial Art Gallery. The first time I sat down at a potter’s wheel I was hooked. I continued my ceramic education at the downtown campus of RIT. It was there where I was introduced to Raku, which has become my primary pottery technique. Shortly after discovering pottery I took a weaving class at a local shop. Weaving and the fiber arts intrigued me almost as much as pottery. Several years later I earned a degree in art studio from SUNY Geneseo. Although I concentrated in textiles, which introduced me to many fiber art techniques, it was classes in anthropology that forever changed my artwork. I became fascinated in prehistoric European artifacts and symbols inspiring my raku pottery. I began combining clay and fiber arts in raku-fired masks and vessels embellished with fibers, beads, feathers, and small weavings.
I became the equipment rental person shortly after joining the Weavers' Guild of Rochester. This is where I first saw a triangular frame loom. I became interested in the various weaving techniques that can be done on the triangular loom. I use several sizes of looms and design scarves and shawls combining triangles and a variety of yarns.
I have continued to take classes and workshops in both pottery and fiber techniques. I believe it’s important to be open to new learning experiences from many sources.