25264 Bookbinding: Japanese Stab Binding

25264 Bookbinding: Japanese Stab Binding

Class | Available

349 W. Commercial St. Studio 1940 East Rochester, NY 14445 United States
2
Any level
Friday, June 20, 2025-Saturday, June 21, 2025
1:00 PM-4:00 PM on Fri Sat
$74.00

25264 Bookbinding: Japanese Stab Binding

Class | Available

Registration Deadline: 6/10

Japanese Stab Binding is a popular binding technique good for single pages. You will choose a 4 or 5-hole binding and get patterns for some of the variety of stitches from which you can choose. The first class we will make the book board covers using decorative papers or fabric. The second class we assemble and sew the book. You may also like to add a functional or decorative closure for your book.

AGE: Adults

  • MATERIALS FEE: $12 paid to instructor for: paper (for book body), pre-cut book board and decorative papers/bookcloth for cover, glue, waxed linen, instructions
  • Needle, xacto-knife, cutting mat, pencil and eraser; small 1” brush for gluing,12" metal ruler, large needle, scissors, Optional: bone folder, awl
Gill, Melita
Melita Gill

I have a home pottery and fiber arts studio in Henrietta and I am in the process of setting up a working studio in West Sparta. The beginning of my experience in clay was through the Creative Workshop at the Memorial Art Gallery. The first time I sat down at a potter’s wheel I was hooked. I continued my ceramic education at the downtown campus of RIT. It was there where I was introduced to Raku, which has become my primary pottery technique. Shortly after discovering pottery I took a weaving class at a local shop. Weaving and the fiber arts intrigued me almost as much as pottery. Several years later I earned a degree in art studio from SUNY Geneseo. Although I concentrated in textiles, which introduced me to many fiber art techniques, it was classes in anthropology that forever changed my artwork. I became fascinated in prehistoric European artifacts and symbols inspiring my raku pottery. I began combining clay and fiber arts in raku-fired masks and vessels embellished with fibers, beads, feathers, and small weavings. I became the equipment rental person shortly after joining the Weavers' Guild of Rochester. This is where I first saw a triangular frame loom. I became interested in the various weaving techniques that can be done on the triangular loom. I use several sizes of looms and design scarves and shawls combining triangles and a variety of yarns. I have continued to take classes and workshops in both pottery and fiber techniques. I believe it’s important to be open to new learning experiences from many sources.