25157 Free Form Knotless Netted Vessel

25157 Free Form Knotless Netted Vessel

Class | Available

349 W. Commercial St. Studio 1940 East Rochester, NY 14445 United States
2
Any level
Wednesday, April 23, 2025-Wednesday, April 30, 2025
1:00 PM-4:30 PM on Wed
$83.00

25157 Free Form Knotless Netted Vessel

Class | Available

Registration Deadline: 4/13


Knotless netting is an ancient technique that creates a mesh without using knots. In this class, using your choice of wire or waxed linen, we will make a small free form vessel exploring this process of net making.  Bring wire cutters, needle-nose pliers, and scissors, if you have them. The instructor will email student supply list prior to class.


AGE:  Adults





  • MATERIALS FEE:$10  paid to instructor for instructions, wire, and embellishments 
Gill, Melita
Melita Gill

I have a home pottery and fiber arts studio in Henrietta and I am in the process of setting up a working studio in West Sparta. The beginning of my experience in clay was through the Creative Workshop at the Memorial Art Gallery. The first time I sat down at a potter’s wheel I was hooked. I continued my ceramic education at the downtown campus of RIT. It was there where I was introduced to Raku, which has become my primary pottery technique. Shortly after discovering pottery I took a weaving class at a local shop. Weaving and the fiber arts intrigued me almost as much as pottery. Several years later I earned a degree in art studio from SUNY Geneseo. Although I concentrated in textiles, which introduced me to many fiber art techniques, it was classes in anthropology that forever changed my artwork. I became fascinated in prehistoric European artifacts and symbols inspiring my raku pottery. I began combining clay and fiber arts in raku-fired masks and vessels embellished with fibers, beads, feathers, and small weavings. I became the equipment rental person shortly after joining the Weavers' Guild of Rochester. This is where I first saw a triangular frame loom. I became interested in the various weaving techniques that can be done on the triangular loom. I use several sizes of looms and design scarves and shawls combining triangles and a variety of yarns. I have continued to take classes and workshops in both pottery and fiber techniques. I believe it’s important to be open to new learning experiences from many sources.