4258 Zig Zag Binding

4258 Zig Zag Binding

Class | This program has been canceled

349 W. Commercial St. Studio 1940 East Rochester, NY 14445 United States

2

Any level

Sunday, May 19, 2024 (one day)

10:00 AM-4:00 PM on Sun

$74.00

Registration Deadline: 5/9


Zig Zag Binding is softcover book designed for two thick signatures (sections). It is ideal for a cover made from leather, cork fabric, felt, kraft-tex, or any flexible non-fraying material. Instructor will have cover material to choose from, but you may bring your own with instructor approval. Bring lunch or purchase locally.


AGE: Adults

  • MATERIALS FEE:    $5 - $12 paid to instructor for book cover material, paper for book body, waxed linen, instructions 
  • Needle, utility or x-acto knife, cutting mat, pencil and eraser; metal ruler, large needle, scissors, small awl. Students may bring their own material for the cover with approval of instructor. (Instructor will email students prior to class.)


Gill, Melita

I have a home pottery and fiber arts studio in Henrietta and I am in the process of setting up a working studio in West Sparta. The beginning of my experience in clay was through the Creative Workshop at the Memorial Art Gallery. The first time I sat down at a potter’s wheel I was hooked. I continued my ceramic education at the downtown campus of RIT. It was there where I was introduced to Raku, which has become my primary pottery technique. Shortly after discovering pottery I took a weaving class at a local shop. Weaving and the fiber arts intrigued me almost as much as pottery. Several years later I earned a degree in art studio from SUNY Geneseo. Although I concentrated in textiles, which introduced me to many fiber art techniques, it was classes in anthropology that forever changed my artwork. I became fascinated in prehistoric European artifacts and symbols inspiring my raku pottery. I began combining clay and fiber arts in raku-fired masks and vessels embellished with fibers, beads, feathers, and small weavings. I became the equipment rental person shortly after joining the Weavers' Guild of Rochester. This is where I first saw a triangular frame loom. I became interested in the various weaving techniques that can be done on the triangular loom. I use several sizes of looms and design scarves and shawls combining triangles and a variety of yarns. I have continued to take classes and workshops in both pottery and fiber techniques. I believe it’s important to be open to new learning experiences from many sources.