4224 Designing With Fiberworks

4224 Designing With Fiberworks

Class | Available

349 W. Commercial St. Studio 1940 East Rochester, NY 14445 United States

1

Any level

Sunday, May 19, 2024 (one day)

1:00 PM-4:00 PM on Sun

$47.00

Registration Deadline: 5/12


Perhaps you wish to change or embellish a pattern from a magazine or book, but the ideas are all in your head and you are not sure how the completed project will look. This is where Fiberworks shines! In this workshop you will learn how to rearrange threadings, create and borrow tie-ups from other designs, experiment with treadlings, and modify colors. These techniques will give you great freedom in designing your pieces. Students will need to bring note taking supplies and a computer loaded with a version of Fiberworks, either the paid or free demonstration version. The instructor will contact students before the class to discuss what specific aspects of the software they wish to explore. 


AGE:Adults 

  • MATERIALS FEE: $5.00 paid to instructor for handouts

Smith, Mimi

My first interest in textiles began with sewing for myself and two little daughters which culminated in a desire to create the actual fabric. Belonging to a craft group and meeting several weavers encouraged me to take classes in weaving. I was soon enthralled with the process and started to weave scarves and sweater-vests which I sold at the Clothesline for several years. However, I began to feel isolated weaving alone. I joined the Weavers Guild and through them started on a long journey of teaching in various venues. These included stints with the Rochester Presbyterian Home, The Psychogeriatric Unit of the Rochester Psychiatric Center, Rochester Museum and Science Center, and various fiber shops. The teaching has been most rewarding and satisfying, and is definitely my niche. I have taught at regional guilds and national conferences such as MAFA, MidWest, Complex Weavers, and Convergence. However, my favorite teaching places have been at the Weaving Center and the Creative Workshop of the Memorial Art Gallery. Here I have a chance to teach new students and watch their delight as they discover patterns, textures and color in weaving. I'm able to encourage returning weavers to stretch themselves and develop their creativity. Weaving is so open-ended that there is a place for almost everyone in the myriad of possibilities it offers. In the recent past I have increased my teaching of textiles to include paper making, felting, and marbling. The exploration of new techniques constantly intrigues me, and I try to combine them with my continual fascination of weaving.